Combining my two interests of running from uni work and trying to explore a city in an inordinately short amount of time, last Friday I spent the night in Lyon for Day Three of the annual Nuits Sonores Festival. Nuits Sonores is an urban festival, taking place all over the City of Lyon during the Ascension weekend.
Knowing I’d be staying up all night (the event was running from 9pm-5am, so I decided to save on hotels and just get a commuter train back to Basel in the morning), coffee was in order.
When I arrived in Lyon it was drizzling, but luckily the nighttime events were taking place in the Ancien Marché du gros, a collection of disused industrial buildings which were lit up for the occasion. Despite being fairly central, they weren’t that easy to find, so the lava lamp visuals projected onto the side of the main hall were not only snazzy but practical too.
Having arrived at a time that most would consider devastatingly uncool (before 11pm!) I was there to catch Blue Daisy, who’s electro-rap stylings were going down very well with the crowd. (Though it doesn’t look very full in the photo above, the halls were huge!)
I was also there early enough to get some drinks tokens before the queues built up (and over the course of the night, they really did build up.) and to grab something to eat:
This being France, there wasn’t an abundance of vegetarian options among the impressive line of food trucks. Among them I managed to track down the fantastic Bão Kitchen who were serving up some tasty veggie bão – savoury buns filled with diced vegetables and smothered in sweet chilli sauce. I may or may not have gone back for seconds before the night was out…
Next I headed over to the third and smallest hall for the brilliantly named Jessica93, a post-punk one man band from Paris who was looping and layering some shoegazey noises and getting some interesting results. Hall 3 seemed to be home to the more eclectic acts of the night, as demonstrated by the next band, Future of the Left.
I had barely heard of Future of the Left before Nuits Sonores, and I demand to know why nobody told me about them. This shouty alt-rock band from Cardiff were the unexpected highlight of the night for me, although they weren’t exactly at home among the electro-house pumping out from the other two halls. They might not have drawn the biggest crowd at the festival, but it was certainly the most rowdy. The guitarist brought a number of bananas onto the stage, and one by one fed them to enthusiastic crowd members during the set. In this cut throat music industry it’s great to see a band that takes the time to worry about their fans’ potassium intake.
Next up was the act I had come all this way for – Public Service Broadcasting. Credit to Rosie for taking me and Bill to see them last year and getting me hooked. This was before their new album The Race For Space was released, and I was excited to hear some of the new tracks live. They didn’t disappoint. Along with some favourites from their debut album, they played Gargarin and Go! from the new album, both of which got a great reaction from the crowd and rightly so.
By this time the larger halls were starting to get really full, so I went over to check out Brodinski in hall 2. I loved his solo release, Dance Like Machines, so I had high hopes for his set. I was a little disappointed. This is probably an unpopular opinion but as one of the more sober members of the crowd I felt slightly unimpressed with the repetitive beats and lacklustre mixing, which fell short of being redeemed by the impressive lights, and the visuals dredged up from the depths of the uncanny valley. Some of his set is of course on youtube, so you can listen to it here and draw your own conclusions.
All in all, Nuits Sonores Night 3 was fantastic, and I’ll definitely try and head back for next year!
Were you there? Can you recommend any other festivals in the area? Let me know in the comments!
The Basel music scene doesn’t compare to Birmingham very favourably, so I was super keen when I found out that electro-folk dream boy Patrick Wolf was coming to town! I snapped up a ticket as soon as the posters showed up around town, and was lucky enough to get the last front row seat.
The evening was a benefit for World Aids Day 2014. As such, it started with a speech which appeared to be at once both funny and moving. I say, “appeared to be” because, as regular readers may remember, my German isn’t up to much. Following this we were ushered into the venue where I quickly found my seat at the front. I proceeded to excitedly send pictures of my view of the empty stage to politely interested friends before realising that the place was packed out. Basel may not have a whole lot of live music, but people show up for it when it happens!]
Patrick Wolf took the stage alone to applause from the house; he clearly has a fan base here, and after his first song it was clear why. Those who know his work will be familiar with his distinctive voice. And for those who don’t:
It’s fair to say that live, his performances are on another level. A solo performer, Wolf makes great use of loop pedals to reimagine his studio works using violin, harp, piano, and guitars to build the tracks up piece by piece. However, relying on technology like this comes with risks. After a fantastic arrangement of Wind In The Wires, he started getting some pretty major feedback, and the sound team weren’t able to fix it. The rest of the set was unfortunately plagued with technical problems, but Wolf was more than able to charm his way through with talk of Virginia Woolf, Ghostbusters, and why he would like to be a pigeon for the day. His open and understated presence gave the concert a very intimate feel (following the ballad Enchanted, Wolf mused “I wrote this song at a time when I was drinking two bottles of Baileys a day”) which more than made up for the issues with the tech.
I was told that I couldn’t miss this show by my long suffering bff Drum, who’s seen Patrick Wolf before and likens it to some kind of glittery electro-folk religious experience. I was not disappointed.
Hi there! Sorry for the lack of updates lately – despite exams being over, I’m still managing to be super busy. Six days after finishing my last exam, I was straight back into the labs for a “boot camp” in preparation for my industry year in Switzerland. Between these sessions I’ve been trying to sort out my visa for Shanghai, so all in all, not the chilled out few weeks I wanted! I’ve found time to finally play Red Dead Redemption though – been wanting to get hold of it for ages. I realise how late to the game I am with that one, so of course I don’t need to tell you how super-fun it is (you can lasso people!)
That aside, I did get a chance to head over to University of Birmingham’s Valefest yesterday with the lovely ladies Anna of ALMSEE and Rosie (who has yet to get blogging..), both of whom finished the same day as me. Despite a pretty grim weather forecast, we donned the obligatory raincoats, glitter and flower garlands and headed over to the Vale.
Valefest is a yearly music festival run by students at the university, and this year was it’s tenth birthday. With loads of tents, stages and stalls featuring bands, DJs, comedy acts, and workshops, there was something for everyone. We turned up in time to catch Temple Funk Collective, an 8-piece brass section from Oxford, who managed to coax the sun out with their jazz-funk rearrangements of modern tracks. If this sounds like it might be up your street, give their “Drum and Brass” medley a listen:
When these guys had finished, the sun was shining so we sat out on the grass and watched Battle Reenactment Society do their thing. This is exactly what it sounds like (think chainmail, axes and shouting) and after seeing them open the Miscellany Gala earlier this year, I was keen to see them again. They did not disappoint.
After this we wandered over to the food court – there was a good amount of choice, although I was sad to see that purveyors of “gourmet toasties” The Jabberwocky, were absent. They were there last year, and their “4 Cheese Supreme” was one of the highlights of Valefest 2013 for me. We grabbed some sizeable burgers (Quorn! yey!) from the BBQ stall and ate them in the sunshine by the main stage. The Sons of Pitches were playing, who I’ve heard a few times and who are always good fun. An acapella group of uni students, these guys have quite a following. It’s not hard to see why – it’s hard not to smile when you hear them:
After The Sons of Pitches, we were treated to a set from Fresh Dixie Project. The self professed “crossover swing” band were perfect for the festival, and welcomed in the warm evening with their upbeat original tracks.
(Their cover of “I Wanna Be Like You” from the Jungle Book was a standout track for me, although it doesn’t seem to be around online. Anyone who’s heard Paulo Nutini’s version will know where I’m coming from, though.)
Next we wandered over to the Macmillan Stage and caught Signals‘ set. Math-pop/rock always makes for an impressive live show in my opinion, and Signals were no exception. As an act they were tight, and their clean harmonies were a breath of fresh air amongst the plentiful ska/funk bands we heard over the day. Their audience was unfortunately a little sparse to begin with, but after a brief shower drove lots of people into the tent, they had a lot more listeners. The new, bigger crowd was only in part thanks to the weather, though; the sun soon came back out, but no one left. Their song “Constructions” was one of my favourite tracks of the day:
They were followed by Ghouls, a lively band of “alt-gypsy-punks” from London. This was the headline act for the Macmillan Stage, and they certainly went out with a bang. Never stopping to lower the tempo, Ghouls got the crowd going with song after song of short punchy tracks – think Reel Big Fish meets The Meteors:
Finally, closing the whole festival was the Electric Swing Circus. I had heard a lot about these guys – as locals and ex-UoB students, they play a lot of shows near me, but until now I had never made it to one. They more than lived up to the hype. Fusing 20s swing with electro-house beats, the group put on a fantastic show, complete with smoke machine(!). Vocalists Laura Louise and Bridget Walsh had the air of seasoned performers, all twenties dance routines and unbridled sass. They even found time in their set for an electric double bass solo, which is pretty much all I want from a live band. Their new track, “Minnie”, tells you all you need to know:
So, all round, Valefest 2014 was exactly what the doctor ordered – live music, good food, and a few drinks in the sun with friends. Not to mention that all the proceeds go to Macmillan Cancer Support and Trekstock. What’s not to like!
Were you at Valefest? Have you made it to any other great festivals so far this year? Let me know in the comments!