The Basel music scene doesn’t compare to Birmingham very favourably, so I was super keen when I found out that electro-folk dream boy Patrick Wolf was coming to town! I snapped up a ticket as soon as the posters showed up around town, and was lucky enough to get the last front row seat.
The evening was a benefit for World Aids Day 2014. As such, it started with a speech which appeared to be at once both funny and moving. I say, “appeared to be” because, as regular readers may remember, my German isn’t up to much. Following this we were ushered into the venue where I quickly found my seat at the front. I proceeded to excitedly send pictures of my view of the empty stage to politely interested friends before realising that the place was packed out. Basel may not have a whole lot of live music, but people show up for it when it happens!]
Patrick Wolf took the stage alone to applause from the house; he clearly has a fan base here, and after his first song it was clear why. Those who know his work will be familiar with his distinctive voice. And for those who don’t:
It’s fair to say that live, his performances are on another level. A solo performer, Wolf makes great use of loop pedals to reimagine his studio works using violin, harp, piano, and guitars to build the tracks up piece by piece. However, relying on technology like this comes with risks. After a fantastic arrangement of Wind In The Wires, he started getting some pretty major feedback, and the sound team weren’t able to fix it. The rest of the set was unfortunately plagued with technical problems, but Wolf was more than able to charm his way through with talk of Virginia Woolf, Ghostbusters, and why he would like to be a pigeon for the day. His open and understated presence gave the concert a very intimate feel (following the ballad Enchanted, Wolf mused “I wrote this song at a time when I was drinking two bottles of Baileys a day”) which more than made up for the issues with the tech.
I was told that I couldn’t miss this show by my long suffering bff Drum, who’s seen Patrick Wolf before and likens it to some kind of glittery electro-folk religious experience. I was not disappointed.